Footnotes:
The Plainsong Tradition of the Community of St. Mary
- Anonymously
compiled by Dr. Morgan Dix. The Book of Hours
( New York: Hurd
and Houghton, 1865).
- The
Rev. Dr. J.M. Neale. Breviary Offices (London: J.T. Hayes, 1874).
- The Rev.
Thomas Helmore, M.A. A Manual of Plain Song. (London: Novello
and Co., 1850). American musicians are most familiar with Fr. Helmore's
plainson adaptation of "O come, O come, Emmanuel," Hymnal
1982 No. 56.
- H.B.
Briggs and W.H. Frere. A Manual of Plainsong. (London: Novello
and Co., 1902).
- The Rev.
Charles Winfred Douglas. The Psalms of David from the Saint Dunstan
Psalter. (New York: The H.W. Gray Co., 1917).
- "Charles
Winfred Douglas: 1867-1944," St. Mary's Messenger, Vol 45,
No. 1, p 150.
- The Rev.
Dr. J.M. Neale. The Night Hours of the Church. (London: J.T.
Hayes, no date).
- The Rev.
Charles Winfred Douglas. The Order of Matins according to the use
of the Community of Saint Mary. (Peekskill, NY: St. Mary's Convent,
1916).
- The Rev.
Charles Winfred Douglas. Ceremonial Noted. (Peekskill, NY: St.
Mary's Convent, 1923).
- Canon
Douglas' task of adaptation was facilitated by an edict of the Holy
Roman Emperor Charlemagne in 800 AD. Charlemagne required that all monasteries
in his domain use the Roman Rite and chant the same Latin office. For
more than a thousand years, Western European Benedictine monasteries
followed substantially the same music with local variations that are
inevitable with oral traditions.
- The
Day Office of the Monastic Breviary. (Peekskill, NY: St. Mary's
Convent, 1918).
- The Rev.
Charles Winfred Douglas. The St. Dunstan Edition: The Kyrial.
(New York: H.W. Gray, 1933).
- Canon
Douglas would have used a first edition Antiphonaire de Hartker,
but it is not in the Community's posssession. We use the following for
reference: Paleographie Mulicale: Les principaux manustrits de chant
Gregorien, Ambrosien, Mozarabe, Gallican, publies en fac-similes phototypiques,
Duxieme Serie, Vol. I: Antiphonaire de Hartker (Manuscrits Saint-Gall
390-391), New Edition by Dom Jacques Froger. (Bern: Editions Herbert
Lant & Cie SA, 1970.)
- Dom Andre
Mocquereau, ed., Paleographie Musicale: Les principaux manuscrits de
chant Gregorien, Ambrosien, Mozarabe, Gallican, publies en fac-similes
phototypiques, Premiere Serie, Vol. IX: Antiphonaire Monastique, XII,
Codex 601 de la Bibliotheque Capitulaire de Lucques, (Tournai (Belgique):
Societe de Saint-Jean L'Evangeliste, Desclee & Cie, 1906).
- Dom Andre
Mocquereau, ed., Paleographie Musicale: Les principaux manuscrits de
chant Gregorien, Ambrosien, Mozarabe, Gallican, publies en fac-similes
phototypiques, Premiere Serie, Vol. XII: Antiphonaire Monastique, XIIi,
Codex F160 de la Bibliotheque de la Cathedrale de Worceste, (Tournai
(Belgique): Societe de Saint-Jean L'Evangeliste, Desclee & Cie,
1922).
- The Rev.
Winfred Douglas. The Monastic Diurnal Noted. (Kenosha, WI: St.
Mary's Convent, 1952.)
- The Rev.
Winfred Douglas. The Monastic Diurnal Noted, Vol. II. (Kenosha,
WI: St. Mary's Convent, 1960.)
- Community
of St. Mary, Eastern Province. The Monastic Diurnal Revised. (Peekskill,
NY: Sisterhood of St. Mary, 1989). The Office for Maundy Thursday,
Good Friday, and Holy Saturday including the complete Tenebrae was completed
and bound as Volume II of the Monastic Diurnal Revised in time
for Holy Week 1990.
- Source
material for the Missa Marialis: Mass IX Cum jubilo, Abbaye
Saninte-Pierre de Solesmes, Graduale Triplex, (Paris-Tournai:
Desclee & Socii, 1970), p. 741.
- Source
material for the Missa de Angelis: Mass VIII, op. cit.,
p. 738.
- Source
for the Kyrie: Mass XI, In dominicis per annum, op. cit.,
p. 748. For the Gloria: Mass XIII, Stelliferi conditor orbis,
op. cit., p 754. For the Sanctus: Mass V, Kyrie magnas
Deus potentiae, op. cit., p 728. For the Agnus Dei: Mass
XIV, Jesu redemptor, op. cit., 759.
- Source
for the Kyrie: MassXVII, Kyrie salve, op.cit., p. 764.
For the Sanctus: Mass XVII, op. cit;, p 765. For the Agnus
Dei: Mass VII, Kyrie rex splendens, op. cit., p. 737
|